Daisy Billowes

" Ultimately, my multi-disciplined practice opens up a debate between female restraints within mythical narrative, the qualities of media through tactile mark-making, and creates questions about works viewed post-internet age and the tricky landscape that they now inhabit. 

The work chooses its own form, and I am here to help it through that process. My practice is circular: it feeds into itself. It enjoys this strong, playful, material-based aesthetic, creating dis[order] and disruption to try and make sense of a drawing practice in a digital age.

Materiality is extremely important in my practice. I see it as a tool to bring people closer physically with the works. My practice takes on its own form of ‘drawing’ and ‘consciousness’ and presents to the viewer the tactile nature of drawing with human reflection, digital narration and abstraction. Colour is a medium and is utilised through drawing with line and negative space.

An important distinction is that the works are the feeling - they’re not describing it. The undeniable, seductive nature of myth is that it’s a meta-language. It does what art does and resonates across time. It touches you, and you think it’s completely yours, when really it’s just looking for you. Barthes describes myth as a thin film to view work through and in the same way my poetic texts feed us narratives about the unfair treatment of women - the idea of being stuck in a vessel that substantially limits what’s achievable. We acknowledge in this: a visual language whereby process and meaning are intrinsically linked. I join together written word, image and drawn line, with image-coding forming a bridge-like support between them. "

 

Biograhy

Daisy Billowes is a London based artist, raised in Athens. She studied at Newcastle University (2015) and the Royal College of Art, London (2017). 

Solo Exhibitions

March/April 2020
- four disproportionately sized chambers, The Stone Space, Leytonstone, London

Group Shows

2023

- Insights Inside, Blossom Art Agency, Annecy, France

 

2022
- Fair Art Fair X The Auction Collective, Online Sale
- Woolwich Contemporary Print Fair, London

 

2021
London Creative Network Recipient, SPACE London, London

 

2019
- Exceptional, The Collyer Bristow Graduate Art Award,
The London Ultra, Bargehouse, London
Summer Group Show 2019, The Muse Gallery, London
- Reckless Rawness, Coleman Project Space, London
Woolwich Contemporary Editions, Always Sunday House, Bath
 

2018
Woolwich Contemporary Print Fair, London
Print Demonstration, Woolwich Contemporary Print Fair, London
Selected Artist for Woolwich Editions, London
Festival of Print ELP @ 20, The Art Pavilion, Clinton Road, Mile End Park
Macmillan Charity Silent Auction, The Sea Containers London
RCA Secret 2018, Courtyard Galleries, RCA, Kensington, London
 

2016
Notice: Dyson Building, Battersea, London
DIS PLAY, CGP Gallery, Southwark Park, London
WIP Show Open House, RCA Battersea, London

 

2015
NCL Degree Show, SCIN Gallery, London
Newcastle University Degree Show, Newcastle University
GRABADORAS, 36 Lime Street
Utopia, Newcastle

 

2014
Proof, XL Gallery, Newcastle
 

2012
2D exhibition, Long Gallery, Newcastle

Residencies

August 2022
- Radical Residency VII, Unit 1 Gallery Workshop, London
2021
- Old Jet Residency, Old Jet, Suffolk

 

Talks & Workshops

November 2022
- Life Work Art Artists Talk & Crits, Newcastle University
2-day master workshop ‘control-c’, Newcastle University
20th November 2018
Artist’s Talk: East London Printmakers, London,
2017
- Plymouth College of Art: Artist’s Talk Daisy Billowes
2016
Symposium: The Relevance of Print in Contemporary Art Education. An artist's talk as part of the International Print Biennale, Newcastle

Prizes

2019
- Signature Art Prize, Trinity Art Gallery, London
2018
- Signature Art Prize Shortlist Exhibition, Somerset House, London

soaring above only to tumble below

soaring above only to tumble below - K010

the mermaid of gob-ny-ooyl

the mermaid of gob-ny-ooyl -

she fled to be free of the darkness

she fled to be free of the darkness - K013

circe vi: starving, hoping she’ll find faith in the stars

circe vi: starving, hoping she’ll find faith in the stars - K002

he comes back to the island (after penelope)

he comes back to the island (after penelope) - K008

between the leaves she lays

between the leaves she lays - K001

Sold out

circe vii: the thing is, mate

circe vii: the thing is, mate - K003

she feared (after pasiphae)

she feared (after pasiphae) - K009

she could smell the city (after penelope)

she could smell the city (after penelope) -

when our most perilous moment is upon us (after pasiphae)

when our most perilous moment is upon us (after pasiphae) - K006

she bit her lip (after medusa)

she bit her lip (after medusa) - K007